Showing posts with label Beauty. Show all posts
Showing posts with label Beauty. Show all posts

Improving upon Nature: Beauty Training in the Regency Era

by Maria Grace

With so much at stake, success in the marriage mart not the least consideration, suggestions abounded as to how a young woman might improve her natural beauty. Recommendations were not dissimilar to those we see today, including medicinal options, diet, exercise and cosmeseutical preparations.

Medicinal Preparations


The digestive system was seen as the source of a great many ills. Those seeking a beautiful form were cautioned to attend carefully to the “stomach and bowels, as the prevalence of acidity or of costiveness will render all…other exertions useless.” (Corbould,1825) Laxative pills, acidity remedies, and even ‘spinal’ pills were suggested, with popular remedies offered for the improvement of health and spinal distortions.

One such recipe, Dr. Jarrold's Spinal Pills, recommended taking one drachm of burnt sponge, fifty grains of carbonate of soda to be mixed and divided into twenty pills; three to be taken for a dose twice a day, and the bowels kept open by laxatives for six weeks or two months. (Corbould,1825)

Beauty training


For those who sought more than pills and other nostrums could offer, beauty training might provide desired results. The process, which promised to ‘restore at least five or ten years of vanished charms’ and insure an addition ten years began with clearing the stomach and bowels with emetics and purgatives—reminiscent of today’s ‘healthful cleanses’.

Once the system was adequately purified, beauty seekers were enjoined to rise early at five or six in the morning. Before breakfast they should take a brisk walk from half a mile and up to three, depending on one’s strength. A similar walk or active pastime was recommended for after breakfast as well.

If one perspired or became damp during the exertion, one should attend to their clothing and skin before breakfast. The face and hands should be washed in cool water and the skin, particularly of the torso, should be brushed with a skin brush or rubbed with a soft cloth for ten to fifteen minutes using hair powder or friction oil to prevent irritation to the skin, if necessary, prior to donning dry clothes.

Another hour's active exercise was recommended before going to bed followed by a foot bath with tepid water and another session with a skin brush or nibbed cotton cloth. One should go to bed no later than ten in the evening.

Diet


Naturally, these recommendations also included dietary guidelines.

Breakfast: should be eaten early in the day, no later than eight o’clock, consisting of a plain biscuit (not bread), broiled (underdone and stripped of fat) beef steaks or mutton chops, and half a pint of mild bottled ale, though a small cup of black coffee or tea might be substituted for the ale that then would be taken three hours after breakfast.

Dinner: the midday meal was eaten at two o’clock and greatly resembled breakfast. Chicken or turkey might be substituted and a little rice or potato added. No vegetables were permitted, though.

Supper: the evening meal should be taken at seven or eight o’clock with tea or coffee if none was taken at breakfast, otherwise half a pint of mild ale. The meal should consist of cold fowl, or cold roast mutton or beef, but no fat, and occasionally an egg with a biscuit. Dairy products and fish were strictly prohibited

Interestingly, beauty seekers were encouraged to eat heartily at meals, but forbidden anything to drink between meals. (Corbould,1825)

Exercises


In place of the braces and other contrivances of earlier days, mechanical exercises were put forth to “train up the youthful and delicate bodies of our daughters into elegance of shape and figure.” (Corbould,1825) Some of the suggestions were unique to the day, but others resemble modern equipment, both that which might be found in a proper gym and that which might be purchased through late night infomercials.

Carrying weights on the head


After noting the erect postures of those who carried weights on their heads, like those who wore heavy turbans or whose employment had them carrying burdens like milk pails that way, experts recommended those who wanted perfect posture do the same.

Some suggested exercising the muscles of the neck and back by balancing a small weight, like a powder-box on the front part of the head. Others believed the spine would instinctively straighten to support itself if a more substantial weight were used. Some suggested "a small footstool, covered with a flat cushion, being inverted, may be placed on the patient's head; the hollow between the feet of the stool will allow” a weight to be placed there, four to ten pounds being the most desirable amount. Once the weight was on the head, the person should then walk in a straight line for ten minutes at a time, several times a day. 

Weight training


Others suggested that posture might be improved by strengthening the muscles of the neck and trunk by the drawing of weights. Proponent suggested a machine of weights and pulleys that strongly resembles machines found in gyms today. A strap would be fastened around the patient’s head and attached to weights via a cord through a pulley. The weight would be raised and lowered by lifting and lowering the torso, not unlike a modern sit up.

Exercise couches functioned similarly, adding weights and pulleys to bed frames and couches to allow the exercise of the shoulders, arms, back and neck.

The chest dilator was a more formidable piece of equipment built upon a wooden chair with a convex back. The patient would sit in the chair, place her hands on the overhead bar, and draw a weight down and in front of her and thus strengthen the chest and shoulders. 


Hall exercise


Another approach to exercise encouraged otherwise indolent patients to engage in novel activities. A hall exercise mechanism that involved rolling balls down an upper ramp to a partner who would catch them and return them to her partner via a lower ramp provided one such novel activity. By such means patients who might otherwise be reluctant would be encouraged to stretch their muscles and improve their health. (Corbould, H. , 1825)

Posture Couch


After such exercise, the use of a posture couch might be used that the spinal muscles could be relaxed and the patient enjoy a change of position. The patient would lie upon their back and her position adjusted by the rollers on the frame. At night, the contraption might be converted into a regular bed for convenience. 

Bathing


Surprisingly, bathing, along with friction to the skin, was considered an essential element of beauty-training, necessary for removing impurities and improving the flow of blood in the skin. However, beauty seekers were cautioned to remember the dangers of indiscriminate cold bathing, especially for those who were of a nervous or weak constitution. Warm baths were thought to stave off the effects of aging and be of particular benefits to the skin, especially when aromatic herbs or substances such as borax were added to the water. For those for whom bathing was not practical or possible, sponging and the use of the ‘flesh brush’ might provide an adequate substitute.

Recipe books replete with recipes for soaps, washes, waters, potums, salves and the like were available for who sought chemical assistance in their pursuit of beauty. The next part of this series will examine the much debated issue of bathing in the Regency era.

References


Buc'hoz, Pierre-Joseph. The Toilet of Flora Or, a Collection of the Most Simple and Approved Methods of Preparing Baths, Essences, Pomatums, Powders, Perfumes, Sweet-Scented Waters, and Opiates for Preserving and Whitening the Teeth, &c. &c. With Receipts for Cosmetics of Every Kind, That Can Smooth and Brighten the Skin, Give Force to Beauty, and Take off the Appearance of Old Age and Decay. For the Use of the Ladies. Improved from the French of M. Buchoz, M.D. London: Printed for J. Murray, Mo 12 Fleet-street and W. Nicoll, No. 51, in St. Paul's Church Yard, 1784.
Corbould, H. The Art of Beauty, Or, The Best Methods of Improving and Preserving the Shape, Carriage, and Complexion ; Together with the Theory of Beauty. London: Printed for Knight and Lacey ... and Westley and Tyrrell, Dublin, 1825.
Duties of a Lady's Maid with Direction for Conduct and Numerous Receipts for the Toilette. London: James Bulock, 1825.
Snively, John H. A Treatise on the Manufacture of Perfumes and Kindred Toilet Articles. Nashville: C.W. Smith, 1877.
The Art of Preserving the Hair on Philosophical Principles. By the Author of The Art of Improving the Voice. London: Printed for Septimus Prowett, Old Bond Street, 1825.
The book of health & beauty, or the toilette of rank and fashion: embracing the economy of the economy of the beard eye-brovs gums nails breath eye-lashes hands skin complexion feet ips teeth eyes hair mouth tongue, 8::- 81c. With recipes, and directions for use, of safe and salutary cosmetics— perfumes—essences-simple ‘vaters—depilatories, etc. And a variety “ select recipes for the dressing room of both sexes. 2nd ed. London: Joseph Thomas, 1, Finch Lane, Cornhill, 1837.
The Hand-book of Bathing. London: W.S. Orr, 1841.
The Hand-book of the Toilette. 2nd ed. London: W.s. Orr and, 1841.
The New London Toilet: Or, a Compleat Collection of the Most Simple and Useful Receipts for Preserving and Improving Beauty, Either by Outward Application or Internal Use. With Many Other Valuable Secrets in Elegant and Ornamental Arts. Containing near Four Hundred Receipts under the following General Heads. Perfumes Fine Waters Baths Cosmetics Conserves Confectionary Snuffs Pastes Wash Balls Scented Powders Pomatums Fine Syrups Jellys Preserved Fruits, &c. With Every Species of Cosmetic That May Be Useful in Improving Beauty, or Concealing the Ravages of Time and Sickness. To Which Is Added a Treatise on the Art of Managing, Improving, and Dressing the Hair on the Most Improved Principles of That Art. London: Printed for Richardson and Urquhart, under the Royal-Exchange, 1778.
The Toilette of Health, Beauty, and Fashion: Embracing the Economy of the Beard, Breath, Complexion, Ears, Eyes, Eye-brows, Eye Lashes, Feet, Forehead, Gums, Hair, Head, Hands, Lips, Mouth, Mustachios, Nails of the Toes, Nails of the Fingers, Nose, Skin, Teeth, Tongue, Etc., Etc., : Including the Comforts of Dress and the Decorations of the Neck ... with Directions for the Use of Most Safe and Salutary Cosmetics ... and a Variety of Selected Recipes for the Dressing Room of Both Sexes. Boston: Allen and Ticknor, 1833.

~~~~~~~~~~~~

 Maria Grace is the author of Darcy's Decision,  The Future Mrs. Darcy, All the Appearance of Goodness, and Twelfth Night at Longbourn and Remember the PastClick here to find her books on Amazon. For more on her writing and other Random Bits of Fascination, visit her website. You can also like her on Facebook, follow on Twitter or email her.

The 'Natural Beauty' Ideal of the Regency

by Maria Grace

As the nineteenth century dawned popular views of beauty also shifted. Garments, particularly for women, changed from highly structured garments that relied on rigid undergarments to hold both the body and the garments in the desired shape, to flowing, easy gowns influenced by classical designs of the ancient world. ‘Naturalness’ of the female form was highly prized, whether attained by natural means or not.

Move toward Naturalness

Perhaps related to the political climate of the era, fears of artifice and the romanticism of the ‘natural’ state moved to the forefront of people’s minds. People feared duplicity, particularly that of women whose artful embellishments might lure unsuspecting men into marriage without truly recognizing the condition of their bride. Artist Thomas Rowlandson satirized this fear in his print ‘Six Stages of Mending a Face’. While this may appear shallow to the modern mind, in the era, deficiencies of the body were often seen to correspond to deficiencies of moral character, a serious matter indeed.

(Ancient) Greek influence, which was free of ‘unnatural straps’, braces and other ‘wicked inventions’, permeated period beauty ideals. The Book of Health and Beauty notes: “The Greeks, then, conceived that beauty was necessary to inspire love; but that the power of Venus was fleeting and transitory, unless she was attired and accompanied by the Graces, that is, unless ease and affability, gentleness and spirit, good humor, modesty, ingenuousness and candor engaged the admirers that beauty attracted.”

These ‘decent Graces' “join hand in hand, to show that cheerfulness, vivacity, and youth, should be united with sincerity, candor, and decorum: and to assure the beholder, that unless he or she possess all these qualities he cannot boast of being a favorite with the Graces. They are in motion, because without motion there can be no grace. Their movements, you will see, are animated and soft; and the decided character of the whole group is a noble simplicity, and an unaffected modesty.” Thus, the ability to move and hold one’s body properly became an integral component in the definition of beauty. (The Book of Health and Beauty)

Movement and Posture


The Toilette of Health, Beauty, and Fashion explains, “All grace consists in motion. The great secret of it is to marry two apparent contradictions,-—to unite, in the same movement, quickness and softness, vivacity and mildness, gentleness and spirit…The union of those two requisites is necessary in dancing, walking, bowing, talking, carving, presenting or receiving any thing, and, if we may venture to add, in smiling. Ease is the essence of grace: but all motions, quick and smooth, will necessarily be easy and free.”

Grace in all areas had to be entirely natural for any affectation would destroy the effect, as was often the case in stage performers. To be considered graceful every motion needed to be free from confusion or hurry while being lively and animated. Not only did all the motions of the legs, hands and arms need to be graceful, but the head, neck and even speech had to display grace as well. The epitome of grace in speech required the unity of vivacity with softness in the voice and simplicity of speech. Needless to say, the development of grace required practice, so lessons in deportment began early.

Ladies began such practice in childhood as they learned to move properly in the long skirts fashion and decorum required. Small steps that pushed skirts out of the way allowed a young lady to appear to glide as she moved. Steps would be made from the knee, rather the hips, as swaying the hips as one walked was indecorous. Turns were made with the whole body allowing garments to turn elegantly and gracefully. When sitting, ladies kept their knees spread, rather than crossing their legs, in order to keep their skirts neat. Arms were kept gracefully at ones sides, emphasizing the long elegant column of their classically inspired, empire-waist gowns. If they had to cross their arms, it was done at the high waist line, so as not to spoil the line of their gowns.

Grace was expected, even required of men as well as women. Unlike women, they were not taught deportment, however, training in fencing sufficed for the purpose. Not only did fencing give men well shaped legs—which were shown off constantly in skin tight pantaloons and breeches—it trained them in balance and graceful movement. The same effortless, elegant motions that carried them through a fencing bout were equally welcome on the dance floor.

Above all, perfectly erect and graceful posture was essential. Sitting, standing, walking or dancing, the spine was held straight and the head perfectly balanced atop a supple neck. To slouch was to risk deformity of the spine and to demonstrate disrespect and weakness of character.

For men, imperfect posture also risked chaffing and irritation from their fashionable garments. The cut of their coats, with armholes cut mostly in the back of the garment, rather than evenly distributed front to back as they are in modern garments, pulled shoulders back and opened the chest. High, stiff coat collars that often came up to their ears would irritate the back of the neck and even ears, if the spine was not straight and head held high, while a drooping chin could crush and soil a carefully tied cravat.

For all that ‘natural’ beauty was emphasized, ladies and gentlemen worked very hard to attain the standard of beauty. For those whose natural state was farther from the ideal, recommendations abounded on how to improve on what nature graced one with. The next part of this series will look a how one might improve upon nature’s gifts.

References

Andry, Nicolas. Orthopaedia: Or, the Art of Correcting and Preventing Deformities in Children . Vol. 1. London, 1743.
Buc'hoz, Pierre-Joseph. The Toilet of Flora Or, a Collection of the Most Simple and Approved Methods of Preparing Baths, Essences, Pomatums, Powders, Perfumes, Sweet-Scented Waters, and Opiates for Preserving and Whitening the Teeth, &c. &c. With Receipts for Cosmetics of Every Kind, That Can Smooth and Brighten the Skin, Give Force to Beauty, and Take off the Appearance of Old Age and Decay. For the Use of the Ladies. Improved from the French of M. Buchoz, M.D. London: Printed for J. Murray, Mo 12 Fleet-street and W. Nicoll, No. 51, in St. Paul's Church Yard, 1784.
Corbould, H. The Art of Beauty, Or, The Best Methods of Improving and Preserving the Shape, Carriage, and Complexion ; Together with the Theory of Beauty. London: Printed for Knight and Lacey ... and Westley and Tyrrell, Dublin, 1825.
Duties of a Lady's Maid with Direction for Conduct and Numerous Receipts for the Toilette. London: James Bulock, 1825.
Green, Ruth M., The Wearing of Costume:   The Changing Techniques of Wearing Clothes and How to Move in Them, from Roman Britain to the Second World War. New York:   Drama Publishers, 1995.
Jeamson, Thomas. 1665. Artificiall embellishments. Or Arts best directions how to preserve beauty or procure it. Oxford: Printed by William Hall, amm. D.
Sanford, Victoria. "Public Reaction to Rising Waists During the Late 18th Century: Regency Fashion." Jane Austens World. June 2, 2010. Accessed January 9, 2015. https://janeaustensworld.wordpress.com/2010/06/03/public-reaction-to-rising-waists-during-the-late-18th-century-regency-fashion/.

Sheldrake, Timothy. An Essay on the Various Causes and Effects of the Distorted Spine ; on the Improper Methods Usually Practised to Remove That Distortion ; In Which That Recommended by Mr. Pott Is Considered, and the Bad Effects of Vacher's (commonly Called Jones's) Spinal Machine Are Pointed Out: With the Description of an Instrument That Is Better Calculated to Remove Those Distortions than Any Hitherto Made Use Of, and That Will Not Be Productive of the Pernicious Consequences That Have Been Caused by Most of the Other Machines. To Which Are Added, Some Observations on the Treatment of Ruptures ; Intended to Shew the Impracticability of Curing That Disorder by Any Other Means than the Use of Proper Truffes, and the Superior Utility of the Improved Elastic Truffes with Flexible Pads, Made by T. Sheldrake, Jun. London: Printed for C. Dilly, in the Poultry ;, 1783.

Snively, John H. A Treatise on the Manufacture of Perfumes and Kindred Toilet Articles. Nashville: C.W. Smith, 1877.
The Art of Preserving the Hair on Philosophical Principles. By the Author of The Art of Improving the Voice. London: Printed for Septimus Prowett, Old Bond Street, 1825.
The book of health & beauty, or the toilette of rank and fashion: embracing the economy of the economy of the beard eye-brovs gums nails breath eye-lashes hands skin complexion feet ips teeth eyes hair mouth tongue, 8::- 81c. With recipes, and directions for use, of safe and salutary cosmetics— perfumes—essences-simple ‘vaters—depilatories, etc. And a variety “ select recipes for the dressing room of both sexes. 2nd ed. London: Joseph Thomas, 1, Finch Lane, Cornhill, 1837.
The Hand-book of Bathing. London: W.S. Orr, 1841.
The Hand-book of the Toilette. 2nd ed. London: W.s. Orr and, 1841.
The New London Toilet: Or, a Compleat Collection of the Most Simple and Useful Receipts for Preserving and Improving Beauty, Either by Outward Application or Internal Use. With Many Other Valuable Secrets in Elegant and Ornamental Arts. Containing near Four Hundred Receipts under the following General Heads. Perfumes Fine Waters Baths Cosmetics Conserves Confectionary Snuffs Pastes Wash Balls Scented Powders Pomatums Fine Syrups Jellys Preserved Fruits, &c. With Every Species of Cosmetic That May Be Useful in Improving Beauty, or Concealing the Ravages of Time and Sickness. To Which Is Added a Treatise on the Art of Managing, Improving, and Dressing the Hair on the Most Improved Principles of That Art. London: Printed for Richardson and Urquhart, under the Royal-Exchange, 1778.
The Toilette of Health, Beauty, and Fashion: Embracing the Economy of the Beard, Breath, Complexion, Ears, Eyes, Eye-brows, Eye Lashes, Feet, Forehead, Gums, Hair, Head, Hands, Lips, Mouth, Mustachios, Nails of the Toes, Nails of the Fingers, Nose, Skin, Teeth, Tongue, Etc., Etc., : Including the Comforts of Dress and the Decorations of the Neck ... with Directions for the Use of Most Safe and Salutary Cosmetics ... and a Variety of Selected Recipes for the Dressing Room of Both Sexes. Boston: Allen and Ticknor, 1833.
Turner, David M. Disability in Eighteenth-century England: Imagining Physical Impairment. New York: Routledge, 2012.
Turner, D. M. and Withey, A. (2014), Technologies of the Body: Polite Consumption and the Correction of Deformity in Eighteenth‐Century England. History, 99: 775–796. doi:10.1111/1468-229X.12087
 Withey, Alun. "(Dis)ability? Living with Impairment in Early Modern Britain." Dr Alun Withey. September 28, 2012. Accessed January 9, 2015. https://dralun.wordpress.com/2012/09/28/disability-living-with-impairment-in-early-modern-britain/.
 Withey, Alun. "Sit up Straight! Bad Posture and the 'Neck Swing' in the 18th Century." Dr Alun Withey. January 15, 2014. Accessed January 9, 2015. https://dralun.wordpress.com/2014/01/15/sit-up-straight-bad-posture-and-the-neck-swing-in-the-18th-century/.
 Withey, Alun. "Steel and the Body in the Enlightenment:." Dr Alun Withey. June 7, 2012. Accessed January 9, 2015. https://dralun.wordpress.com/2012/06/07/steel-and-the-body-in-the-enlightenment/.

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 Maria Grace is the author of Darcy's Decision,  The Future Mrs. Darcy, All the Appearance of Goodness, and Twelfth Night at Longbourn and Remember the PastClick here to find her books on Amazon. For more on her writing and other Random Bits of Fascination, visit her website. You can also like her on Facebook, follow on Twitter or email her.

The Shape of Georgian Beauty

by Maria Grace

Life in early modern societies was rife with bodily threats often resulting in bodily deformities. Nutritional deficits, disease and accidents all resulted in sometimes horrific alterations to the human form. Skin conditions, tumors, both benign and cancerous, and conditions like gout marked individuals in all walks of life. Moneyed and poor alike were subject to the debilitating effects to daily life.

Improvements in medical science focused on the prevention and correction of disfigurements. Progress in infant health and nutrition helped prevent many conditions and assistive technologies such as wooden legs and rupture trusses improved the productivity and general quality of life for many of those injured.

Assistive technologies quickly crossed the line from improving function to merely improving aesthetics. Though some argued whether it was acceptable to attempt to improve upon God’s creation by artificial means, even the Puritans came to accept man-made means to improve upon nature’s imperfections.

Deformity

By the eighteenth century, with the developing culture of politeness, the ‘deformed’ or ‘defective’ body presented a quandary for polite society. While some emphasized the moral virtue that developed as a result of bearing with bodily disfigurement, others registered concern for the lack of social ease evident when those bearing obvious ‘defects’ were present. Etiquette required that polite individuals avoided anything which would draw attention to another’s ‘weakness’. However, it was also recognized that a crooked body prevented one’s acceptance in polite society, being more prison than palace for the individual. The imperfect body was often referred to as dismal and miserable and jarring the sensibilities and discomposing the cheerfulness of mind, stealing pleasure from an otherwise pleasant experience.

Straightening a child's posture
Nicolas Andry (1743) suggested that polite society should shun anything ‘shocking’ like visible impairments which might threaten virtuous interactions. Moreover, individuals who permitted, by their neglect, their bodies to become ‘ugly’ offended both society and God’s intentions. Thus, ‘orthopaedic’ intervention to restore the proper aesthetics to the body was an act of social and moral responsibility.

Causes and prevention of deformity

Experts concluded that preventing deformity was preferable (and easier) than curing it. Many suggested ignorant management in childhood was at the heart of many disfigurements and as such, more ‘scientific’ management might be applied to remedy them.

Towards the end of the Georgian era, malformations were classified by their causes including:

Those produced before birth

The result of tight lacing of long corsets, thought to impede the mother’s digestion, breathing, circulation and to even displace the womb itself. This practice was thought to impede the proper growth of a child resulting in dwarfism or other deformities of shape. Teaching mothers not to wear tight garments during pregnancy offered a simple remedy to this malady.

Those produced by ignorant nursing

In this case nursing referred to the care of the child in infancy. Infant bones were considered soft and unfinished, and the joints susceptible to injury by rough handling. Caregivers were directed to handle the infant as little as possible, allowing them to lie on mats and cushions without restrictions, and prevented from sitting and standing too soon.

Those produced by clothing in infancy

The practice of tight swaddling was still practiced in the Georgian era. However, toward the end of the period, the practice fell out of favor. The tight constriction of the infant was thought not only to be painful, but to restrict blood flow and to impede normal growth, forcing limbs and spine into unnatural shapes. Nurses were advised to adopt a looser mode of dress, but not so loose as to fail to support ‘feeble’ infant muscles, and to avoid dressing an infant too warmly and causing sweats in the night.

Those produced by dress in youth

Putting pressure on muscles was thought to weaken them. So the use of corsets, tight sleeves or garters was advised against; they might result in twisting the body out of natural position. Children’s clothing should be comfortable and allow the blood to flow freely and the body to move easily.

Those produced by position

Sleeping on the same side of the bed every night, sitting on the same side of the window or fire every night or in any way that twists the body was to be scrupulously avoided. While reading, writing, sewing or practicing music, young ladies must maintain perfectly erect posture to avoid permanent deformation of the spine.

Correcting deformity

Once deformity occurred, Sheldrake argued that the amelioration of such irregularities was imperative as "not only their appearance is disagreeable, but by impeding the function of viscera, they will in time destroy that balance of the constitution which is so necessary to health and longevity.”

Stay makers and truss makers of the mid to late eighteenth century flooded the market with a cornucopia of devices to train young people’s bodies—particularly those of young women—as one trained young plants to grow strong and straight, often using braces and other contraptions made of newly available cast steel.

Braces and other devices

Devices to improve posture and keep and individual ‘straight’ were as varied as the manufacturers who made them. Large pieces of metal called backirons were hidden at the back of clothing and prevented slouching. Steel collars forced wearers to obey mothers’ and governesses’ injunctions to keep heads up, sometimes assisted by shoulder braces which pulled shoulders back. Neck swings stretched the spine by suspending the ‘patient’ in a block and tackle type device so that only their toes touched the ground.

Education chairs which forced the ‘patient’ to balance in a small hard seat without a support to lean against while windlass contraptions and stretching chairs performed similarly to neck swing. Despite the discomfort and pain these devices caused, they were widely sold throughout the eighteenth century.

As the century drew to a close and the nineteenth century dawned, a shift of perspective occurred leaning toward a more natural beauty, unencumbered by the rigorous management and training of the previous generations. The second part of this article will examine these changing conceptions of beauty and how to achieve it in the Regency era.

Bibliography

Andry, Nicolas. Orthopaedia: Or, the Art of Correcting and Preventing Deformities in Children . Vol. 1. London, 1743.

Buc'hoz, Pierre-Joseph. The Toilet of Flora Or, a Collection of the Most Simple and Approved Methods of Preparing Baths, Essences, Pomatums, Powders, Perfumes, Sweet-Scented Waters, and Opiates for Preserving and Whitening the Teeth, &c. &c. With Receipts for Cosmetics of Every Kind, That Can Smooth and Brighten the Skin, Give Force to Beauty, and Take off the Appearance of Old Age and Decay. For the Use of the Ladies. Improved from the French of M. Buchoz, M.D. London: Printed for J. Murray, Mo 12 Fleet-street and W. Nicoll, No. 51, in St. Paul's Church Yard, 1784.

Corbould, H. The Art of Beauty, Or, The Best Methods of Improving and Preserving the Shape, Carriage, and Complexion ; Together with the Theory of Beauty. London: Printed for Knight and Lacey ... and Westley and Tyrrell, Dublin, 1825.

Duties of a Lady's Maid with Direction for Conduct and Numerous Receipts for the Toilette. London: James Bulock, 1825.

Jeamson, Thomas. 1665. Artificiall embellishments. Or Arts best directions how to preserve beauty or procure it. Oxford: Printed by William Hall, amm. D.

Sanford, Victoria. "Public Reaction to Rising Waists During the Late 18th Century: Regency Fashion." Jane Austens World. June 2, 2010. Accessed January 9, 2015. https://janeaustensworld.wordpress.com/2010/06/03/public-reaction-to-rising-waists-during-the-late-18th-century-regency-fashion/.

Sheldrake, Timothy. An Essay on the Various Causes and Effects of the Distorted Spine ; on the Improper Methods Usually Practised to Remove That Distortion ; In Which That Recommended by Mr. Pott Is Considered, and the Bad Effects of Vacher's (commonly Called Jones's) Spinal Machine Are Pointed Out: With the Description of an Instrument That Is Better Calculated to Remove Those Distortions than Any Hitherto Made Use Of, and That Will Not Be Productive of the Pernicious Consequences That Have Been Caused by Most of the Other Machines. To Which Are Added, Some Observations on the Treatment of Ruptures ; Intended to Shew the Impracticability of Curing That Disorder by Any Other Means than the Use of Proper Truffes, and the Superior Utility of the Improved Elastic Truffes with Flexible Pads, Made by T. Sheldrake, Jun. London: Printed for C. Dilly, in the Poultry ;, 1783.

Snively, John H. A Treatise on the Manufacture of Perfumes and Kindred Toilet Articles. Nashville: C.W. Smith, 1877.

The Art of Preserving the Hair on Philosophical Principles. By the Author of The Art of Improving the Voice. London: Printed for Septimus Prowett, Old Bond Street, 1825.

The book of health & beauty, or the toilette of rank and fashion: embracing the economy of the economy of the beard eye-brovs gums nails breath eye-lashes hands skin complexion feet ips teeth eyes hair mouth tongue, 8::- 81c. With recipes, and directions for use, of safe and salutary cosmetics— perfumes—essences-simple ‘vaters—depilatories, etc. And a variety “ select recipes for the dressing room of both sexes. 2nd ed. London: Joseph Thomas, 1, Finch Lane, Cornhill, 1837.

The Hand-book of Bathing. London: W.S. Orr, 1841.

The Hand-book of the Toilette. 2nd ed. London: W.s. Orr and, 1841.

The New London Toilet: Or, a Compleat Collection of the Most Simple and Useful Receipts for Preserving and Improving Beauty, Either by Outward Application or Internal Use. With Many Other Valuable Secrets in Elegant and Ornamental Arts. Containing near Four Hundred Receipts under the following General Heads. Perfumes Fine Waters Baths Cosmetics Conserves Confectionary Snuffs Pastes Wash Balls Scented Powders Pomatums Fine Syrups Jellys Preserved Fruits, &c. With Every Species of Cosmetic That May Be Useful in Improving Beauty, or Concealing the Ravages of Time and Sickness. To Which Is Added a Treatise on the Art of Managing, Improving, and Dressing the Hair on the Most Improved Principles of That Art. London: Printed for Richardson and Urquhart, under the Royal-Exchange, 1778.

The Toilette of Health, Beauty, and Fashion: Embracing the Economy of the Beard, Breath, Complexion, Ears, Eyes, Eye-brows, Eye Lashes, Feet, Forehead, Gums, Hair, Head, Hands, Lips, Mouth, Mustachios, Nails of the Toes, Nails of the Fingers, Nose, Skin, Teeth, Tongue, Etc., Etc., : Including the Comforts of Dress and the Decorations of the Neck ... with Directions for the Use of Most Safe and Salutary Cosmetics ... and a Variety of Selected Recipes for the Dressing Room of Both Sexes. Boston: Allen and Ticknor, 1833.

Turner, David M. Disability in Eighteenth-century England: Imagining Physical Impairment. New York: Routledge, 2012.

Turner, D. M. and Withey, A. (2014), Technologies of the Body: Polite Consumption and the Correction of Deformity in Eighteenth‐Century England. History, 99: 775–796. doi:10.1111/1468-229X.12087

Withey, Alun. "(Dis)ability? Living with Impairment in Early Modern Britain." Dr Alun Withey. September 28, 2012. Accessed January 9, 2015. https://dralun.wordpress.com/2012/09/28/disability-living-with-impairment-in-early-modern-britain/.

Withey, Alun. "Sit up Straight! Bad Posture and the 'Neck Swing' in the 18th Century." Dr Alun Withey. January 15, 2014. Accessed January 9, 2015. https://dralun.wordpress.com/2014/01/15/sit-up-straight-bad-posture-and-the-neck-swing-in-the-18th-century/.

Withey, Alun. "Steel and the Body in the Enlightenment:." Dr Alun Withey. June 7, 2012. Accessed January 9, 2015. https://dralun.wordpress.com/2012/06/07/steel-and-the-body-in-the-enlightenment/.

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 Maria Grace is the author of Darcy's Decision,  The Future Mrs. Darcy, All the Appearance of Goodness, and Twelfth Night at Longbourn and Remember the Past, and A Jane Austen Christmas, Click here to find her books on Amazon. For more on her writing and other Random Bits of Fascination, visit her website. You can also like her on Facebook, follow on Twitter or email her.
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